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Today's film industry is a legal and financial obstacle course that all independent filmmakers must learn to master. The most comprehensive guide to negotiating that obstacle course is The Biz, a highly accessible overview of the industry's important business, legal and financial aspect.
Filled with industry-savoy advice, it clearly explains:
The 4th Edition comprehensively updates all chapters.
Raising financing
Business structuring
Securities laws
Budgeting essentials
Dealing with the guilds
Loans
Completion guarantees
The legal and financial ramifications of distribution deals
Calculating net profits
Film-industry accounting practices and contingent payments
Copyright, publicity, and trademark laws
Screen credits
Talent demands
Litigation problems
Bankruptcy
Taxation of film companies
The Internet distribution of film
. . . and much more.
The Biz also includes a dozen useful sample forms and agreements.
Schuyler M. Moore is a partner in the corporate entertainment department of the Los Angeles office of the national law firm Stroock & Stroock & Lavan, LLP. Mr. Moore has been practicing law in the entertainment industry since 1981, and he represents a broad spectrum of entertainment industry clients, including producers, sales agents, foreign distributors, and financiers. He is the author of Taxation of the Entertainment Industry and What They Don't Teach in Law School. He is an adjunct professor of both the UCLA Law School, teaching Motion Picture Financing and the UCLA Anderson School of Management, teaching Entertainment Law. The Hollywood Reporter consistently lists Moore as one of the top 100 entertainment lawyers.
- Sales Rank: #119073 in Books
- Published on: 2011-02-28
- Original language: English
- Number of items: 1
- Dimensions: 8.99" h x .83" w x 6.29" l, 1.20 pounds
- Binding: Paperback
- 396 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
Good book
By Crescente
Excellent book, the book contains everything you need to know about entertainment law, movies and tv series. I use it for a class of entertainment law and I got a A-.
1 of 1 people found the following review helpful.
Not enough practical application of knowledge.
By Trevor Ward
It's got a lot of lawyer speak but not a lot of advice or specific case studies. I was hoping to read it and have some ideas how to structurally set up my film's financial setup but I'm not any closer to doing that. This book does a REAL good job of scaring away investors in films and pretty much says that if you're an investor, don't bother because every contract is set up so that the director and producer will always make money and there will never be any for the investors.
3 of 3 people found the following review helpful.
Boring as heck
By Shawn McKenzie
Boring as heck, but all the necessary ins and outs of the legal and financial aspects of making a film. Recommended for any filmmaker whether a producer, director, or actor. Learn what you need in your contracts and how to make things go slightly more in your favor in a world full of creative accounting practices.
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